Thirteen traditional crafts, formally codified in the seventeenth century and still taught as a full curriculum. Not heritage display, a working economy.

The Zorig Chusum are thirteen arts: painting, sculpture, wood carving, casting, blacksmithing, embroidery, weaving, papermaking, bamboo work and more. Students at the School of Traditional Arts in Thimphu spend four to six years on one of them.
Because the output is used. National dress is required in offices, schools and dzongs, so weavers have customers. Temples need repainting, so thangka painters have work. The crafts were never rescued, because they never stopped.
Kishuthara from the east is the most intricate: a single kira can take the better part of a year on a backstrap loom, woven from memory with no written pattern. Yathra from Bumthang is thicker wool in bold geometric bands, made for cold.
Machine-made imports are widely sold and much cheaper. Handwoven pieces have small irregularities, and the reverse side tells you most. Ask where it was woven and by whom. In a good shop the answer is specific.
Tell us crafts interest you and we will build in workshops rather than showrooms.
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